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	<id>https://china.craftpedia.asia/index.php?action=history&amp;feed=atom&amp;title=Jianshui_purple_pottery</id>
	<title>Jianshui purple pottery - Revision history</title>
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	<updated>2026-06-10T20:09:10Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://china.craftpedia.asia/index.php?title=Jianshui_purple_pottery&amp;diff=355&amp;oldid=prev</id>
		<title>ChineseAdmin at 03:47, 18 May 2026</title>
		<link rel="alternate" type="text/html" href="https://china.craftpedia.asia/index.php?title=Jianshui_purple_pottery&amp;diff=355&amp;oldid=prev"/>
		<updated>2026-05-18T03:47:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:47, 18 May 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l62&quot;&gt;Line 62:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 62:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Yunnan]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Yunnan]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Southwest China material culture]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Southwest China material culture]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== References ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Kerr, Rose, Joseph Needham, and Nigel Wood. &#039;&#039;Science and Civilisation in China: Volume 5, Chemistry and Chemical Technology, Part 12: Ceramic Technology&#039;&#039;. Cambridge: Cambridge University Press, 2004.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Medley, Margaret. &#039;&#039;The Chinese Potter: A Practical History of Chinese Ceramics&#039;&#039;. 3rd ed. London: Phaidon Press, 1989.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Rawson, Jessica, ed. &#039;&#039;The British Museum Book of Chinese Art&#039;&#039;. 2nd ed. London: British Museum Press, 2007.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Vainker, S. J. &#039;&#039;Chinese Pottery and Porcelain&#039;&#039;. London: British Museum Press, 1991.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Valenstein, Suzanne G. &#039;&#039;A Handbook of Chinese Ceramics&#039;&#039;. New York: Metropolitan Museum of Art, 1998.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Liu, Chang, Heng Xie, Lei Nie, Hong Wang, and Yuanyuan He. “A Study of the Composition and Dissolution of Jianshui Purple Pottery in Yunnan, China.” &#039;&#039;Crystals&#039;&#039; 11, no. 9 (2021): 1034. https://doi.org/10.3390/cryst11091034&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Su, Ting. “Aesthetic Features of Decorations on Purple Pottery in Jianshui.” In &#039;&#039;Proceedings of the International Conference on Education, Management and Humanities Science&#039;&#039;, 2015.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Wang, Kun, et al. “Raw Materials and Moisturizing Properties of Yunnan Jianshui Purple Pottery.” &#039;&#039;Journal of the Chinese Ceramic Society&#039;&#039; (2023).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Zhang, Lei, et al. “Applied Research on Vibration Characteristics of Jianshui Purple Pottery.” &#039;&#039;Journal of Ceramics&#039;&#039; (2025).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Liu, Hanwu, and Lanfeng Qu. “Preparation and Coloration Analysis of High-Temperature Resistant Pigment for Yunnan Purple Pottery.” &#039;&#039;Ceramics International&#039;&#039; (2025).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Mansfield, Janet. “The Purple Pottery of Jianshui, China.” &#039;&#039;Mansfield Ceramics&#039;&#039;. https://www.mansfieldceramics.com/cap-articles/the-purple-pottery-of-jianshui-china/&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* UNESCO. “Traditional Chinese Ceramic Craftsmanship.” UNESCO Intangible Cultural Heritage Programme. https://ich.unesco.org/&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Ceramics]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Ceramics]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Yunnan]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Yunnan]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Southwest China]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Southwest China]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>ChineseAdmin</name></author>
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	<entry>
		<id>https://china.craftpedia.asia/index.php?title=Jianshui_purple_pottery&amp;diff=150&amp;oldid=prev</id>
		<title>ChineseAdmin: Created page with &quot;&#039;&#039;&#039;Jianshui purple pottery&#039;&#039;&#039; (建水紫陶) refers to the high-fired unglazed pottery tradition produced in Jianshui, Yunnan Province. The ware is characterized by dense, fine-grained clay bodies in purple, red-brown, black, and ochre tones, achieved through controlled high-temperature firing in reduction or mixed atmospheres. Jianshui pottery is known for its polished surfaces and incised or inlaid decoration executed directly on the clay body.  == Historical Context =...&quot;</title>
		<link rel="alternate" type="text/html" href="https://china.craftpedia.asia/index.php?title=Jianshui_purple_pottery&amp;diff=150&amp;oldid=prev"/>
		<updated>2025-10-31T21:29:31Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Jianshui purple pottery&amp;#039;&amp;#039;&amp;#039; (建水紫陶) refers to the high-fired unglazed pottery tradition produced in Jianshui, Yunnan Province. The ware is characterized by dense, fine-grained clay bodies in purple, red-brown, black, and ochre tones, achieved through controlled high-temperature firing in reduction or mixed atmospheres. Jianshui pottery is known for its polished surfaces and incised or inlaid decoration executed directly on the clay body.  == Historical Context =...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Jianshui purple pottery&amp;#039;&amp;#039;&amp;#039; (建水紫陶) refers to the high-fired unglazed pottery tradition produced in Jianshui, Yunnan Province. The ware is characterized by dense, fine-grained clay bodies in purple, red-brown, black, and ochre tones, achieved through controlled high-temperature firing in reduction or mixed atmospheres. Jianshui pottery is known for its polished surfaces and incised or inlaid decoration executed directly on the clay body.&lt;br /&gt;
&lt;br /&gt;
== Historical Context ==&lt;br /&gt;
&lt;br /&gt;
Production of Jianshui purple pottery is documented from the Ming period and continued into the Qing and modern times. The tradition developed in response to local clay resources and demand for durable domestic vesselware. While not a part of the porcelain kiln systems of Jingdezhen or the Longquan celadon lineage, Jianshui pottery maintained a stable regional identity and workshop-based production model.&lt;br /&gt;
&lt;br /&gt;
== Materials and Technical Characteristics ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Clay:&amp;#039;&amp;#039;&amp;#039;  &lt;br /&gt;
Local iron-rich clays with fine particle structure. Multiple clay types are often blended to adjust firing response and color.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Forming Methods:&amp;#039;&amp;#039;&amp;#039;  &lt;br /&gt;
* Wheel-throwing is standard for vessel bodies&lt;br /&gt;
* Profiles emphasize stability and controlled curvature&lt;br /&gt;
* Walls are refined to produce dense, weight-stable forms&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Surface Treatment:&amp;#039;&amp;#039;&amp;#039;  &lt;br /&gt;
Surfaces are polished using repeated burnishing after partial drying. This compacts the surface and produces a satin or semi-reflective finish independent of glaze.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Decoration:&amp;#039;&amp;#039;&amp;#039;  &lt;br /&gt;
Decoration is executed through:&lt;br /&gt;
* Incised linework&lt;br /&gt;
* Inlaid slip contrasting with the base clay tone&lt;br /&gt;
* Relief or recessed calligraphic inscriptions&lt;br /&gt;
&lt;br /&gt;
Decoration remains subordinate to the clarity of form and clay surface.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Firing:&amp;#039;&amp;#039;&amp;#039;  &lt;br /&gt;
High-temperature firing, typically in reduction or variable-atmosphere kilns, producing purple, red-brown, black, or mixed surface coloration. No glaze is applied.&lt;br /&gt;
&lt;br /&gt;
== Form Typology ==&lt;br /&gt;
&lt;br /&gt;
Common forms include:&lt;br /&gt;
* Teapots&lt;br /&gt;
* Cups and bowls&lt;br /&gt;
* Storage vessels with fitted lids&lt;br /&gt;
* Desk objects and small containers&lt;br /&gt;
&lt;br /&gt;
Form typology emphasizes durability, handling ergonomics, and surface integrity.&lt;br /&gt;
&lt;br /&gt;
== Workshop Organization ==&lt;br /&gt;
&lt;br /&gt;
Production is historically workshop-based, with division of labor among:&lt;br /&gt;
* Clay preparation&lt;br /&gt;
* Throwing and shaping&lt;br /&gt;
* Decoration and finishing&lt;br /&gt;
* Kiln operation&lt;br /&gt;
&lt;br /&gt;
Workshops in Jianshui maintain continuity into the present.&lt;br /&gt;
&lt;br /&gt;
== Cultural and Historical Significance ==&lt;br /&gt;
&lt;br /&gt;
Jianshui purple pottery is significant for:&lt;br /&gt;
* Demonstrating a high-fired, unglazed ceramic tradition in Southwest China&lt;br /&gt;
* Maintaining emphasis on material quality rather than glaze surface&lt;br /&gt;
* Providing evidence of regional workshop organization distinct from major porcelain centers&lt;br /&gt;
&lt;br /&gt;
== Related Pages ==&lt;br /&gt;
* [[Nixi black pottery]]&lt;br /&gt;
* [[Batang black pottery]]&lt;br /&gt;
* [[Buyi pottery]]&lt;br /&gt;
* [[Yunnan]]&lt;br /&gt;
* [[Southwest China material culture]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Ceramics]]&lt;br /&gt;
[[Category:Yunnan]]&lt;br /&gt;
[[Category:Southwest China]]&lt;/div&gt;</summary>
		<author><name>ChineseAdmin</name></author>
	</entry>
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