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	<title>Jizhou ware - Revision history</title>
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		<title>ChineseAdmin: Created page with &quot;&#039;&#039;&#039;Jizhou ware&#039;&#039;&#039; (吉州窑) refers to the black and dark-glazed stonewares produced primarily in the Jizhou region of western Jiangxi Province during the Song and Yuan periods. Jizhou wares are characterized by iron-rich glazes, pattern-resist decoration, and experimental surface effects achieved through layered glaze application and controlled firing.  == Historical Context ==  The Jizhou kilns developed alongside regional Song ceramic production and supplied both loc...&quot;</title>
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		<updated>2025-10-30T21:41:11Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Jizhou ware&amp;#039;&amp;#039;&amp;#039; (吉州窑) refers to the black and dark-glazed stonewares produced primarily in the Jizhou region of western Jiangxi Province during the Song and Yuan periods. Jizhou wares are characterized by iron-rich glazes, pattern-resist decoration, and experimental surface effects achieved through layered glaze application and controlled firing.  == Historical Context ==  The Jizhou kilns developed alongside regional Song ceramic production and supplied both loc...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Jizhou ware&amp;#039;&amp;#039;&amp;#039; (吉州窑) refers to the black and dark-glazed stonewares produced primarily in the Jizhou region of western Jiangxi Province during the Song and Yuan periods. Jizhou wares are characterized by iron-rich glazes, pattern-resist decoration, and experimental surface effects achieved through layered glaze application and controlled firing.&lt;br /&gt;
&lt;br /&gt;
== Historical Context ==&lt;br /&gt;
&lt;br /&gt;
The Jizhou kilns developed alongside regional Song ceramic production and supplied both local and broader commercial markets. Unlike court-centered kilns, Jizhou workshops operated within a commercial framework, responding to aesthetic preferences associated with scholar and monastery environments. Production continued into the Yuan period, with gradual diversification of decorative techniques.&lt;br /&gt;
&lt;br /&gt;
== Kiln Sites ==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Kiln Group&lt;br /&gt;
! Location (Modern)&lt;br /&gt;
! Notes&lt;br /&gt;
|-&lt;br /&gt;
| Jizhou kilns (吉州窑)&lt;br /&gt;
| Ji’an region, Jiangxi Province&lt;br /&gt;
| Primary production area; excavations recovered kiln structures, wasters, and pattern-resist fragments&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Dragon kilns were used, featuring sloped construction suited to sustained high-temperature firing.&lt;br /&gt;
&lt;br /&gt;
== Materials and Technical Characteristics ==&lt;br /&gt;
&lt;br /&gt;
Bodies are high-fired stonewares with dense, gray to gray-brown cross-sections.&lt;br /&gt;
&lt;br /&gt;
Glazes are iron-based and typically produce:&lt;br /&gt;
* Deep black or brown-black surfaces&lt;br /&gt;
* Layered visual effects resulting from glaze flow and cooling&lt;br /&gt;
* Pattern-resist areas where decorative layers prevent uniform glaze coverage&lt;br /&gt;
&lt;br /&gt;
Firing temperatures range from 1200–1250°C in controlled reduction-to-oxidation environments.&lt;br /&gt;
&lt;br /&gt;
== Decorative Systems ==&lt;br /&gt;
&lt;br /&gt;
Characteristic decorative methods include:&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Paper-cut resist&amp;#039;&amp;#039;&amp;#039;: Paper motifs applied and burned away during firing, leaving silhouettes.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Wax-resist patterns&amp;#039;&amp;#039;&amp;#039;: Melted resist repels glaze, producing negative-space ornament.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tortoiseshell glaze&amp;#039;&amp;#039;&amp;#039; (玳瑁釉): Layered glazes creating mottled brown-gold patterns through controlled crystallization.&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Brush-applied iron decoration&amp;#039;&amp;#039;&amp;#039;: Simple linear patterns beneath glaze.&lt;br /&gt;
&lt;br /&gt;
Decoration emphasizes surface optical effect over figurative imagery.&lt;br /&gt;
&lt;br /&gt;
== Forms ==&lt;br /&gt;
&lt;br /&gt;
Jizhou forms primarily served tea and everyday domestic use:&lt;br /&gt;
* Conical tea bowls&lt;br /&gt;
* Round-shouldered jars&lt;br /&gt;
* Small bottles and pouring forms&lt;br /&gt;
* Covered boxes&lt;br /&gt;
&lt;br /&gt;
Profiles are structurally simple, supporting glaze as the principal visual element.&lt;br /&gt;
&lt;br /&gt;
== Cultural and Historical Significance ==&lt;br /&gt;
&lt;br /&gt;
Jizhou ware represents:&lt;br /&gt;
* A major commercial ceramic tradition of the Song and Yuan periods&lt;br /&gt;
* Technical exploration of glaze flow, resist patterning, and surface modulation&lt;br /&gt;
* A distinct aesthetic parallel to Jian ware without dependency on court or Zen transmission&lt;br /&gt;
&lt;br /&gt;
Jizhou contributes to understanding regional workshop autonomy and the diversity of tea-related material culture in southern China.&lt;br /&gt;
&lt;br /&gt;
== Related Pages ==&lt;br /&gt;
* [[Jian ware]]&lt;br /&gt;
* [[Cizhou ware]]&lt;br /&gt;
* [[Longquan celadon]]&lt;br /&gt;
* [[:Category:Southern Song]]&lt;br /&gt;
* [[:Category:Yuan period]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
* Kerr, Rose. &amp;#039;&amp;#039;Chinese Ceramics&amp;#039;&amp;#039;. Victoria and Albert Museum.&lt;br /&gt;
* Medley, Margaret. &amp;#039;&amp;#039;The Chinese Potter: A Practical History of Chinese Ceramics&amp;#039;&amp;#039;.&lt;br /&gt;
* Li Zhiyan et al., eds. &amp;#039;&amp;#039;Song-Yuan Kilns of Jiangxi&amp;#039;&amp;#039;. Chinese Academy of Arts.&lt;br /&gt;
&lt;br /&gt;
[[Category:Ceramics]]&lt;br /&gt;
[[Category:Jiangxi]]&lt;br /&gt;
[[Category:South China]]&lt;br /&gt;
[[Category:Song period]]&lt;br /&gt;
[[Category:Yuan period]]&lt;/div&gt;</summary>
		<author><name>ChineseAdmin</name></author>
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