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The '''Yuan period''' (元代, 1271–1368) marks the establishment of a unified imperial administration under Mongol rule. The Yuan state integrated diverse regions across East and Central Asia into a single political and economic structure, facilitating long-distance exchange, the movement of artisans, and the circulation of materials and technical knowledge. Administrative institutions were reorganized, and new forms of regional and transregional interaction emerged. | |||
Material culture in the Yuan period reflects both continuity from earlier Song-era traditions and changes introduced through new patterns of patronage and exchange. Court-sponsored workshops continued to produce objects for ritual, domestic, and administrative use, while commercial production expanded in response to increased urbanization and interregional markets. Textiles, lacquer, metalwork, and ceramics all participated in broader material networks that connected the empire internally and externally. | |||
Ceramic production during the Yuan period demonstrates significant regional variation, with particular developments in **Jingdezhen**, where the technical foundation for large-scale porcelain production was established. The use of imported and locally refined cobalt pigments for underglaze blue decoration marks an important technological and aesthetic innovation of this era. At the same time, other regional kiln systems maintained high-fired stoneware and celadon traditions with gradual adaptation to changing cultural and market contexts. | |||
The Yuan period is significant for its role in reorganizing craft production under a multi-ethnic imperial structure, expanding transcontinental exchange, and establishing workshop and supply networks that would shape the trajectory of ceramic and other material arts in the subsequent Ming and Qing periods. | |||
Latest revision as of 19:39, 30 October 2025
The Yuan period (元代, 1271–1368) marks the establishment of a unified imperial administration under Mongol rule. The Yuan state integrated diverse regions across East and Central Asia into a single political and economic structure, facilitating long-distance exchange, the movement of artisans, and the circulation of materials and technical knowledge. Administrative institutions were reorganized, and new forms of regional and transregional interaction emerged.
Material culture in the Yuan period reflects both continuity from earlier Song-era traditions and changes introduced through new patterns of patronage and exchange. Court-sponsored workshops continued to produce objects for ritual, domestic, and administrative use, while commercial production expanded in response to increased urbanization and interregional markets. Textiles, lacquer, metalwork, and ceramics all participated in broader material networks that connected the empire internally and externally.
Ceramic production during the Yuan period demonstrates significant regional variation, with particular developments in **Jingdezhen**, where the technical foundation for large-scale porcelain production was established. The use of imported and locally refined cobalt pigments for underglaze blue decoration marks an important technological and aesthetic innovation of this era. At the same time, other regional kiln systems maintained high-fired stoneware and celadon traditions with gradual adaptation to changing cultural and market contexts.
The Yuan period is significant for its role in reorganizing craft production under a multi-ethnic imperial structure, expanding transcontinental exchange, and establishing workshop and supply networks that would shape the trajectory of ceramic and other material arts in the subsequent Ming and Qing periods.
Pages in category "Yuan period"
The following 23 pages are in this category, out of 23 total.