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• 05:38, 2 November 2025 ChineseAdmin talk contribs created page Carved Ding (Created page with "'''Carved Ding''' refers to Ding ware vessels decorated with low-relief carving executed before glazing, produced primarily during the Northern Song period (960–1127) at the Ding kilns of Quyang, Hebei Province. Carved Ding is closely associated with the aesthetic principles that defined Ding ware as one of the "Five Great Wares" (五大名窑) of the Song dynasty, particularly the emphasis on controlled line, surface clarity, and restrained ornamentation. == Historic...")
• 05:34, 2 November 2025 ChineseAdmin talk contribs created page Black Ding (Created page with "'''Black Ding''' refers to a group of dark-glazed wares produced at the Ding kilns in Quyang, Hebei Province, primarily during the Jin and Yuan periods (12th–14th century). These wares represent a diversification of Ding production following the decline of White Ding’s central status in Northern Song court culture. Black Ding should be understood as part of a later-phase workshop adaptation, rather than as a parallel tradition originating from the beginning of Ding k...")
• 05:28, 2 November 2025 ChineseAdmin talk contribs created page White Ding (Created page with "'''White Ding''' refers to the white-bodied, transparent-glazed stonewares produced at the Ding kilns in Quyang County, Hebei Province, primarily during the Northern Song period (960–1127). Ding ware is historically recognized as one of the "Five Great Wares" (五大名窑) of the Song dynasty. White Ding represents the core output of the kilns during their height, before the later emergence of darker and more experimental glaze varieties. == Historical Context == The...")
• 05:24, 2 November 2025 ChineseAdmin talk contribs created page Molded-Relief Jun (Created page with "'''Molded-Relief Jun''' refers to Jun ware displaying decorative motifs formed through low-relief molding prior to glazing and firing. These wares date primarily to the Yuan and early Ming periods (14th–15th century) and feature ornament organized in shallow, softly contoured relief under the characteristically thick Jun glaze. The relief designs are visually integrated into the glaze surface rather than sharply delineated, producing a subdued and textural decorative e...")
• 05:20, 2 November 2025 ChineseAdmin talk contribs created page Purple-Splash Jun (Created page with "'''Purple-Splash Jun''' refers to a subgroup of Jun ware in which areas of the glaze surface display purple or reddish violet coloration. These effects arise primarily from copper-containing kiln fluxes or clay-body impurities interacting with the celadon-type glaze under specific reduction and cooling conditions. The chromatic variation was not originally the result of intentional brush-applied copper decoration, although the visual effect later became culturally valued...")
• 05:16, 2 November 2025 ChineseAdmin talk contribs created page Numbered Jun (Created page with "'''Numbered Jun''' refers to a subgroup of Jun ware bearing inscribed or impressed numerals, typically from the late Yuan to early Ming period (14th–15th century). These marks are generally interpreted as indicators of workshop standardization, relating to vessel size categories, glaze thickness expectations, or batch sequencing within production systems. They do not imply imperial ownership or court-set matching requirements. == Historical Context == Jun ware product...")
• 05:11, 2 November 2025 ChineseAdmin talk contribs created page Transitional Blue-and-White (Created page with "'''Transitional blue-and-white''' refers to blue-and-white porcelains produced mainly at Jingdezhen during the late Ming to early Qing transition period (c. 1620–1683). These wares are characterized by the expanded use of narrative, figural, and landscape imagery rendered with dynamic brushwork, reflecting increased workshop autonomy and diversified patronage after the decline of centralized imperial oversight. == Historical Context == During the late Wanli period and...")
• 05:08, 2 November 2025 ChineseAdmin talk contribs created page Kraak Blue-and-White (Created page with "'''Kraak blue-and-white''' refers to a category of Chinese blue-and-white porcelain produced primarily in Jingdezhen during the late Ming dynasty (late 16th–early 17th century) and characterized by its distinctive panel-structured decorative organization. The term "Kraak" derives from European usage and is historically associated with the reception of these wares rather than their place of manufacture. The defining feature of the group is its structured surface layout,...")
• 05:04, 2 November 2025 ChineseAdmin talk contribs created page Jiajing Daoist Blue-and-White (Created page with "'''Jiajing Daoist Blue-and-White''' refers to a group of blue-and-white porcelains produced during the reign of the Jiajing Emperor (1522–1566) of the Ming dynasty, characterized by motifs derived from Daoist cosmology and religious iconography. These vessels were widely used in domestic devotional contexts, including household altars and private shrines, rather than exclusively in temple or state ritual settings. == Historical Context == During the Jiajing reign, the...")
• 05:01, 2 November 2025 ChineseAdmin talk contribs created page Ming Imperial Longquan (Created page with "'''Ming Imperial Longquan''' refers to Longquan celadon wares produced to standards associated with imperial taste and court-directed demand during the early Ming dynasty, particularly under the Hongwu and Yongle reigns (late 14th–early 15th century). These wares are distinguished by refined vessel profiles, thick and evenly applied bluish-green glaze layers, and high-quality stoneware bodies exhibiting precise workmanship. == Historical Context == Following the estab...")
• 04:56, 2 November 2025 ChineseAdmin talk contribs created page Export Longquan (Created page with "'''Export Longquan''' refers to Longquan celadon wares produced specifically for distribution through regional and long-distance trade networks during the Southern Song, Yuan, and Ming periods (12th–16th century). These wares circulated widely through maritime routes linking China with Southeast Asia, the Indian Ocean basin, and East Africa. Their archaeological presence in shipwreck cargoes and port sites provides key evidence for the scale and structure of premodern...")
• 21:18, 1 November 2025 ChineseAdmin talk contribs created page Northern Kiln Branch Longquan (Created page with "'''Northern Kiln Branch Longquan''' refers to Longquan-type celadon production undertaken at kiln sites located north of the core Longquan region, primarily in southern Zhejiang and northern Fujian, during the Southern Song through Yuan period. These kilns adopted the material composition, glaze system, and vessel forms associated with Longquan celadon, while exhibiting technical and stylistic variation related to local resources and workshop organization. == Historical...")
• 21:15, 1 November 2025 ChineseAdmin talk contribs created page Classic Longquan (Created page with "'''Classic Longquan''' refers to the mature phase of Longquan celadon production during the Southern Song to Yuan period (12th–14th century), centered in southern Zhejiang Province, particularly around the Dayao and Jincun kiln complexes. These wares are known for their dense stoneware bodies, refined profiles, and distinctive bluish-green glazes valued for their visual resemblance to jade. == Historical Context == The Classic Longquan phase developed as the Longquan...")
• 21:13, 1 November 2025 ChineseAdmin talk contribs created page Early Longquan (Created page with "'''Early Longquan''' (also referred to as '''proto-Longquan''') designates the formative phase of Longquan celadon production during the late Five Dynasties and Northern Song period (10th–early 11th century). These wares were produced in southern Zhejiang, particularly in the Ou River basin around Dayao and related kiln complexes. They represent the technological and stylistic foundation from which the later, mature Longquan celadon tradition emerged. == Historical co...")
• 20:56, 1 November 2025 ChineseAdmin talk contribs created page Guangcai (Created page with "'''Guangcai''' (广彩), also referred to as Canton enamel porcelain, describes porcelain vessels that were decorated with overglaze enamels in Guangzhou (Canton) during the Qing dynasty and continuing into modern practice. The porcelain bodies were typically manufactured at Jingdezhen and then transported to Guangzhou for enamel painting, where workshops specializing in export production applied polychrome decoration suited to overseas commercial demand. == Historical...")
• 20:52, 1 November 2025 ChineseAdmin talk contribs created page Yangcai (Created page with "'''Yangcai''' (洋彩), literally “foreign colors,” refers to overglaze enamel porcelain produced at Jingdezhen during the Qing dynasty in imitation of, and parallel to, the enamel decoration developed in the Beijing imperial workshops (Falangcai). Yangcai uses enamel palettes similar to those of Falangcai, including pink (derived from colloidal gold), soft greens, and opaque pastel tones, but is executed in Jingdezhen kilns rather than in the palace ateliers. == Hi...")
• 20:48, 1 November 2025 ChineseAdmin talk contribs created page Falangcai (Created page with "'''Falangcai''' (珐琅彩) refers to porcelain vessels decorated with overglaze enamels applied in the imperial palace workshops in Beijing during the Qing dynasty. The ware is distinguished by its extremely fine brushwork, highly controlled enamel layers, and the integration of enamel colors adapted from metalwork cloisonné techniques. Falangcai decoration was executed on already-fired porcelain blanks, often produced at Jingdezhen and then transported to Beijing for...")
• 20:44, 1 November 2025 ChineseAdmin talk contribs created page Famille Rose (Created page with "'''Famille Rose''' (粉彩), known in Chinese as 粉彩 (literally “soft / powdered colors”), refers to a porcelain decoration technique that uses opaque, enamel-based overglaze colors including a characteristic rose-pink tone derived from colloidal gold. The palette emerged in the early Qing period and reached maturity in the Yongzheng (1723–1735) and Qianlong (1736–1795) reigns. Famille Rose is distinguished by its fine tonal modulation, layered color applicati...")
• 20:42, 1 November 2025 ChineseAdmin talk contribs created page Doucai ware (Created page with "'''Doucai ware''' (斗彩), literally “joined colors” or “contending colors,” refers to porcelain decoration in which underglaze cobalt blue outlines are combined with overglaze enamel colors, with the two layers visually integrated into a unified design. The technique developed in the Ming dynasty, particularly under the Chenghua reign (1465–1487), and continued into the Qing period with variations in palette and motif structure. == Historical Context == Ear...")
• 20:38, 1 November 2025 ChineseAdmin talk contribs created page Wucai ware (Created page with "'''Wucai ware''' (五彩, literally “Five Colors”) refers to porcelain decorated with a combination of underglaze cobalt blue and overglaze polychrome enamels. The ware was developed at Jingdezhen during the Ming dynasty and continued through the Qing period. Wucai decoration is characterized by a structural division between underglaze linework defining compositional boundaries and overglaze enamels providing chromatic fields after a second, lower-temperature firing....")
• 08:32, 1 November 2025 ChineseAdmin talk contribs deleted page Batang black pottery/en (content was: "'''Batang black pottery''' (巴塘黑陶) refers to the ceramic tradition associated with the Batang region in present-day Ganzi Tibetan Autonomous Prefecture, western Sichuan. The pottery is produced within the cultural sphere of Kham (Khams), one of the major Tibetan cultural regions. The tradition is characterized by hand-built vessel forms, burnishing, unglazed surfaces...", and the only contributor was "FuzzyBot" (talk))
• 08:31, 1 November 2025 ChineseAdmin talk contribs deleted page Batang black pottery/fr (content was: "La céramique noire de Batang (巴塘黑陶) désigne la tradition céramique de la région de Batang, située dans l'actuelle préfecture autonome tibétaine de Ganzi, dans l'ouest du Sichuan. Produite au sein de la sphère culturelle du Kham (Khams), l'une des principales régions culturelles tibétaines, cette céramique se caractérise par des formes façonn...", and the only contributor was "ChineseAdmin" (talk))
• 08:31, 1 November 2025 ChineseAdmin talk contribs deleted page Batang black pottery/de (content was: "Die Bezeichnung „Batang-Schwarzkeramik“ (巴塘黑陶) bezieht sich auf die Keramiktradition der Batang-Region im heutigen Autonomen Bezirk Ganzi der Tibeter im Westen Sichuans. Die Keramik wird im Kulturraum von Kham (Khams), einer der wichtigsten tibetischen Kulturregionen, hergestellt. Charakteristisch für diese Tradition sind handgeformte Gefäße, poli...", and the only contributor was "ChineseAdmin" (talk))
• 07:11, 1 November 2025 ChineseAdmin talk contribs created page Special:Badtitle/NS1198:Batang black pottery/4/fr (Created page with "== Matériaux et techniques de mise en forme == '''Argile :''' L'argile provient de sources locales, notamment des berges de rivières ou des dépôts alluviaux. Un dégraissant minéral peut être ajouté pour améliorer la résistance thermique et réduire les risques de fissuration à la cuisson.")
• 07:11, 1 November 2025 ChineseAdmin talk contribs created page Special:Badtitle/NS1198:Batang black pottery/3/fr (Created page with "Cette tradition céramique s'inscrit dans la culture matérielle plus large du Kham, qui comprend le travail du bois, le travail des métaux, le tissage et la construction architecturale en bois.")
• 07:11, 1 November 2025 ChineseAdmin talk contribs created page Special:Badtitle/NS1198:Batang black pottery/2/fr (Created page with "== Contexte culturel et géographique == Batang est située sur des routes historiques reliant le plateau tibétain, le bassin du Sichuan et les corridors commerciaux du sud-est. La production de céramique s'est développée au sein des économies domestiques des hauts plateaux, où la poterie servait à la cuisson, au stockage et à la préparation collective des aliments. Cet artisanat est traditionnellement pratiqué à l'échelle du foyer ou du village, et le savoir...")
• 07:11, 1 November 2025 ChineseAdmin talk contribs created page Batang black pottery/fr (Created page with "La céramique noire de Batang (巴塘黑陶) désigne la tradition céramique de la région de Batang, située dans l'actuelle préfecture autonome tibétaine de Ganzi, dans l'ouest du Sichuan. Produite au sein de la sphère culturelle du Kham (Khams), l'une des principales régions culturelles tibétaines, cette céramique se caractérise par des formes façonnées à la main, un polissage soigné, des surfaces non émaillées et une cuisson en réduction qui lui confè...") Tag: translate-translation-pages
• 07:11, 1 November 2025 ChineseAdmin talk contribs created page Special:Badtitle/NS1198:Batang black pottery/1/fr (Created page with "La céramique noire de Batang (巴塘黑陶) désigne la tradition céramique de la région de Batang, située dans l'actuelle préfecture autonome tibétaine de Ganzi, dans l'ouest du Sichuan. Produite au sein de la sphère culturelle du Kham (Khams), l'une des principales régions culturelles tibétaines, cette céramique se caractérise par des formes façonnées à la main, un polissage soigné, des surfaces non émaillées et une cuisson en réduction qui lui confè...")
• 07:11, 1 November 2025 ChineseAdmin talk contribs created page Special:Badtitle/NS1198:Batang black pottery/Page display title/fr (Created page with "Poterie noire de Batang")
• 07:11, 1 November 2025 FuzzyBot talk contribs created page Batang black pottery/en (Updating to match new version of source page) Tags: Recreated translate-translation-pages
• 07:10, 1 November 2025 FuzzyBot talk contribs created page Special:Badtitle/NS1198:Batang black pottery/20/en (Importing a new version from external source) Tag: Recreated
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