Jump to content

New pages

New pages
Hide registered users | Hide bots | Hide redirects
(newest | oldest) View ( | older 50) (20 | 50 | 100 | 250 | 500)

27 April 2026

  • 03:2103:21, 27 April 2026 Zhuang brocade (hist | edit) [4,502 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Zhuang brocade''' (壮锦, ''Zhuàng jǐn'') is a traditional textile craft of the Zhuang people, the largest ethnic minority group in China, primarily residing in the Guangxi Zhuang Autonomous Region. The craft has a long history and represents a significant component of Zhuang cultural identity, with origins extending back many centuries.<ref>Wang, H. (2007). ''Textiles of China's Minorities''. China Intercontinental Press.</ref> Histor...")
  • 03:1803:18, 27 April 2026 Li brocade (hist | edit) [4,640 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Li brocade''' (黎锦, ''Lí jǐn'') is a traditional textile craft of the Li people, an ethnic minority primarily inhabiting Hainan Island in southern China. It is one of the oldest known textile traditions in the region and reflects a long history of cultural development shaped by the island’s relative geographic isolation.<ref>Wang, H. (2007). ''Textiles of China's Minorities''. China Intercontinental Press.</ref> Archaeological and...")

26 April 2026

  • 20:5920:59, 26 April 2026 Song brocade (hist | edit) [4,751 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Song brocade''' (宋锦, ''Sòng jǐn'') is a traditional Chinese silk brocade weaving craft originating in Suzhou, Jiangsu Province. It is one of the most historically significant brocade traditions in China and is closely associated with the cultural and artistic developments of the Song dynasty (960–1279), from which it takes its name.<ref>Vainker, S. (1991). ''Chinese Silk: A Cultural History''. Rutgers University Press.</ref> Suzho...")
  • 20:5520:55, 26 April 2026 Uyghur atlas silk (hist | edit) [5,103 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Uyghur atlas silk''' (维吾尔族艾德莱斯绸, ''Wéiwú’ěrzú àidéláisī chóu''), commonly referred to as ''atlas silk'' or ''Adras silk'', is a traditional textile craft of the Uyghur people in the Xinjiang Uyghur Autonomous Region of northwestern China. The craft is characterized by the production of vividly patterned silk fabrics and is closely associated with the cultural and historical development of Central Asian textile...")
  • 20:5320:53, 26 April 2026 Tujia brocade (hist | edit) [4,761 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Tujia brocade''' (土家织锦, ''Tǔjiā zhījǐn'') is a traditional textile craft of the Tujia people, an ethnic minority primarily inhabiting the mountainous regions of Hunan, Hubei, Chongqing, and Guizhou in central and southwestern China. The craft is often referred to as ''Xilankapu'' (西兰卡普), a term used within Tujia communities to describe richly patterned woven textiles.<ref>Wang, H. (2007). ''Textiles of China's Minoritie...")
  • 20:5020:50, 26 April 2026 Shu embroidery (hist | edit) [4,757 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Shu embroidery''' (蜀绣, ''Shǔ xiù'') is a major tradition of Chinese silk embroidery originating in Sichuan Province, particularly in and around the city of Chengdu. It is recognized as one of the "Four Great Embroideries of China," alongside Su, Xiang, and Yue embroidery.<ref>Gill, R. (1996). ''Chinese Embroidery''. British Museum Press.</ref> The history of Shu embroidery can be traced back to ancient times, with references to text...")
  • 20:4920:49, 26 April 2026 Yue embroidery (hist | edit) [4,849 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Yue embroidery''' (粤绣, ''Yuè xiù'') is a major tradition of Chinese silk embroidery originating in Guangdong Province, particularly in and around the city of Guangzhou. It is recognized as one of the "Four Great Embroideries of China," alongside Su, Xiang, and Shu embroidery.<ref>Gill, R. (1996). ''Chinese Embroidery''. British Museum Press.</ref> The development of Yue embroidery is closely connected to the historical role of Guang...")
  • 20:4520:45, 26 April 2026 Nantong blue calico (hist | edit) [4,747 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Nantong blue calico''' (南通蓝印花布, ''Nántōng lányìn huābù'') is a traditional Chinese textile craft originating in Nantong, Jiangsu Province. It is characterized by the use of resist-dyeing techniques to produce patterned cotton fabrics, typically in white designs on a deep indigo background. The craft has a long history, with roots extending back to at least the Song (960–1279) and Yuan (1271–1368) dynasties, and it bec...")
  • 20:4320:43, 26 April 2026 Dong brocade (hist | edit) [4,567 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Dong brocade''' (侗锦, ''Dòng jǐn'') is a traditional textile craft of the Dong people, an ethnic minority primarily residing in Guizhou, Hunan, and Guangxi provinces in southwestern China. The craft has a long history within Dong communities and is closely associated with local systems of clothing production, social identity, and aesthetic expression.<ref>Wang, H. (2007). ''Textiles of China's Minorities''. China Intercontinental Pres...")
  • 20:4120:41, 26 April 2026 Xiang embroidery (hist | edit) [4,986 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Xiang embroidery''' (湘绣, ''Xiāng xiù'') is a major tradition of Chinese silk embroidery originating in Hunan Province, with its historical center in the city of Changsha. It is recognized as one of the "Four Great Embroideries of China," alongside Su, Yue, and Shu embroidery.<ref>Gill, R. (1996). ''Chinese Embroidery''. British Museum Press.</ref> The development of Xiang embroidery can be traced back to early imperial periods, but...")
  • 20:3820:38, 26 April 2026 Miao embroidery (hist | edit) [5,150 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Miao embroidery''' (苗绣, ''Miáo xiù'') is a traditional textile craft practiced by the Miao people, an ethnic minority primarily residing in the mountainous regions of southwestern China, particularly in Guizhou, Yunnan, and Guangxi provinces. With origins that are difficult to date precisely due to the largely oral nature of Miao cultural transmission, the craft is widely understood to have developed over many centuries as an integra...")
  • 20:0520:05, 26 April 2026 Kesi tapestry (hist | edit) [4,862 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Kesi tapestry''' (缂丝, ''kèsī'') is a highly refined Chinese silk textile tradition characterized by its tapestry-like weaving technique, in which patterns are created through discontinuous weft construction. Originating no later than the Tang dynasty (618–907), Kesi reached its peak during the Song (960–1279) and Yuan (1271–1368) periods, when it became closely associated with elite artistic production.<ref>Vainker, S. (1991)....")
  • 20:0320:03, 26 April 2026 Nanjing Yunjin (hist | edit) [4,675 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Nanjing Yunjin''' (南京云锦, ''Nánjīng yúnjǐn'', literally “cloud brocade”) is one of the most prestigious traditions of Chinese silk brocade weaving, originating in Nanjing, Jiangsu Province. It is widely regarded as the most luxurious of Chinese brocades and is often associated with imperial production, particularly during the Ming (1368–1644) and Qing (1644–1912) dynasties.<ref>Vainker, S. (1991). ''Chinese Silk: A Cultu...")
  • 20:0120:01, 26 April 2026 Su embroidery (hist | edit) [4,842 bytes] ChineseAdmin (talk | contribs) (Created page with "== Historical Background == '''Su embroidery''' (苏绣, ''Sū xiù'') is one of the most renowned traditions of Chinese silk embroidery, originating in the region of Suzhou in Jiangsu Province. With a history that extends over two millennia, it is widely regarded as one of the "Four Great Embroideries of China," alongside Xiang, Yue, and Shu embroidery.<ref>Gill, R. (1996). ''Chinese Embroidery''. British Museum Press.</ref> The development of Su embroidery is closely...")
  • 19:4819:48, 26 April 2026 Uyghur ceramics (hist | edit) [6,119 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Uyghur ceramics''' refer to the ceramic traditions associated with the Uyghur cultural region, primarily located in the Xinjiang Uyghur Autonomous Region of northwestern China. Situated along the historic Silk Road, Uyghur ceramics developed within a dynamic context of cultural exchange, incorporating influences from Chinese, Central Asian, Persian, and Islamic artistic traditions. This results in a distinctive ceramic tradition characterized by vivid s...")
  • 19:4619:46, 26 April 2026 Tibetan ceramics (hist | edit) [6,460 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Tibetan ceramics''' refer to the ceramic traditions associated with the Tibetan cultural region, including the Tibetan Plateau and adjacent areas of western China. Unlike the highly centralized and technically refined porcelain traditions of eastern China, Tibetan ceramics developed within a distinct environmental, cultural, and economic context. The tradition is characterized by relatively small-scale production, strong links to daily life and religiou...")
  • 19:4419:44, 26 April 2026 Tenmoku ware (hist | edit) [5,672 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Tenmoku ware''' refers to a group of high-fired black-glazed ceramics originating in China, primarily associated with the Jian kilns of Fujian Province during the Song dynasty (960–1279). Although the term "Tenmoku" (Japanese: 天目) is of Japanese origin—derived from Mount Tianmu in China, where Japanese monks encountered such wares—the concept is widely used in art historical scholarship to describe these distinctive black-glazed tea bowls and...")
  • 19:4119:41, 26 April 2026 Chinese architectural ceramics (hist | edit) [7,423 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Chinese architectural ceramics''' refer to a broad tradition of ceramic production dedicated to architectural elements such as roof tiles, ridge decorations, ornamental figures, and structural components used in buildings across China. Unlike vessel-based ceramic traditions, this domain is defined by its integration into architecture, where ceramics serve both functional and symbolic purposes. Over the course of Chinese history, architectural ceramics d...")
  • 19:3819:38, 26 April 2026 Liao dynasty ceramics (hist | edit) [6,405 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Liao dynasty ceramics''' refer to the ceramic traditions associated with the Liao dynasty (907–1125), established by the Khitan people in northern China and parts of Inner Asia. These ceramics represent a distinct cultural and artistic sphere within Chinese ceramic history, shaped by the interaction between nomadic traditions and settled craft production. Unlike the contemporaneous Song dynasty ceramics of central and southern China, Liao ceramics exh...")
  • 19:3619:36, 26 April 2026 Canton export porcelain (hist | edit) [6,620 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Canton export porcelain''' refers to a major tradition of Chinese ceramics produced for export markets, primarily in the region of Guangzhou (historically known as Canton) in Guangdong Province. Flourishing between the 18th and 19th centuries, this ceramic tradition represents one of the most significant intersections between Chinese craft production and global trade. Unlike court-centered porcelain traditions, Canton export porcelain was shaped by inte...")
  • 19:3419:34, 26 April 2026 Blanc de Chine (hist | edit) [6,252 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Blanc de Chine''' (French for "white from China") refers to a distinctive tradition of Chinese white porcelain produced primarily in Dehua County, Fujian Province. Known for its refined, creamy-white body and sculptural elegance, Blanc de Chine represents one of the most important export-oriented ceramic traditions of China. While rooted in the broader Dehua ceramic culture, Blanc de Chine is recognized as a distinct category due to its strong identity...")
  • 19:2919:29, 26 April 2026 Shiwan ware (hist | edit) [7,060 bytes] ChineseAdmin (talk | contribs) (Created page with "== Overview == '''Shiwan ware''' (Chinese: 石湾陶; pinyin: Shíwān táo) refers to a distinctive tradition of Chinese ceramics produced in the town of Shiwan, located in present-day Foshan, Guangdong Province. Renowned primarily for its expressive sculptural works and richly colored glazes, Shiwan ware represents one of the most important ceramic traditions of southern China. Unlike the highly standardized and imperial-oriented porcelain production of northern center...")
(newest | oldest) View ( | older 50) (20 | 50 | 100 | 250 | 500)